Onwards To Victory



Author: Charles Eade - 1944
Publisher: Cassell and Company
Format: Hardback
ISBN: none
£5.50 + p&p. (total: £9.45)

Condition: Good
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A book that marches in with boots polished, buttons gleaming, and absolutely no intention of doubting itself, Onwards to Victory (1944) by Charles Eade is wartime optimism distilled into hardback form. Published at a moment when the outcome of the war was beginning—just beginning—to tilt in the Allies’ favour, it captures that curious mid-conflict confidence: not quite victory, but already practising the victory speech.

Eade, a journalist and editor with a firm grip on both prose and morale, assembles a narrative that is equal parts reportage, reassurance, and rallying cry. This is not history as we now know it—with hindsight, footnotes, and a tendency to sigh heavily at the past—but history as it felt in real time: uncertain, urgent, and absolutely convinced that everything would work out in the end, provided everyone kept calm and carried on (preferably with a stiff upper lip and minimal grumbling about rationing).

Inside, you’ll find a world still in motion. The war is not over; the pages hum with the sense that events are still unfolding somewhere just beyond the margin. There is an admirable lack of irony here—refreshing, perhaps, or slightly alarming depending on your modern sensibilities. The tone is earnest, the purpose clear: to explain, to encourage, and to gently remind the reader that history is being made, and they are very much expected to be on the correct side of it.

Of course, to read it now is to experience a peculiar double vision. We know how the story ends; Eade does not (though he’s fairly confident he’s guessed correctly). What was once immediate becomes retrospective, what was urgent becomes atmospheric. It’s less a guide to victory than a snapshot of belief in it—a document of how people thought, hoped, and occasionally declared things to be going rather better than they probably felt.

This particular copy, in good condition and offered with the usual quiet resilience of Crappy Old Books, has survived the decades rather like the book’s own thesis: slightly worn, entirely intact, and still insisting, in its own understated way, that things will turn out all right in the end.

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