National Geographic 1995 August



Author: National Geographic - 1995
Publisher: National Geographic
Format: Paperback
ISBN: none
£1.00 + p&p. (total: £4.95)

Condition: Good
In stock! Order now!

National Geographic, August 1995: when the magazine could put Sicily on the cover in a font that whispers “film noir holiday” and everyone just nodded, poured a coffee, and accepted they were about to be educated in a very glamorous way.

This issue is basically a passport with opinions. You get Sicily served as it should be: dramatic light, ancient layers, and the kind of history that doesn’t so much “happen” as accumulate. The cover model’s veil-and-lipstick mood suggests you’re about to step into a Mediterranean mystery where the main suspect is limestone, the accomplice is sunlight, and the motive is “centuries.”

But it’s also peak NatGeo variety hour, so once you’ve finished wandering Sicilian streets in your head, the magazine politely grabs you by the hand and drags you through the rest of the planet:

  • Saving North America’s bats — tiny winged mammals doing unpaid night shifts for the ecosystem while humans discover, yet again, that everything is connected and we probably shouldn’t break it.

  • National Geographic photographers — a lovingly reverent look at the people who made “waiting three days in a swamp for the perfect shot” sound like a reasonable career choice.

  • Hiroshima — the magazine goes sober, reflective, and quietly devastating, because some places demand it.

  • The African roots of voodoo — culture, history, belief, and misbelief unpacked with that ‘90s NatGeo confidence: serious tone, careful detail, and absolutely no room for lazy clichés.

  • Bowhead whales — the Arctic’s enormous, ancient-headed proof that nature can outlast your entire species’ attention span.

It’s the perfect issue if you like your travel broad, your facts chunky, and your worldview gently rearranged without needing Wi-Fi. Also: the adverts alone are an accidental time capsule—back when “future” was something you could print on glossy paper and mail to people.

Condition: Good, meaning it’s been read (as it should be), loved (as it deserves), and is still fully capable of making you say “I’ll just read one article” and then look up an hour later having learned about bats, belief systems, and why Sicily is basically a whole civilisation wearing sunglasses.

Sold by Crappy Old Books, where the glamour is second-hand and the curiosity is brand new.

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